Susanne Gregard: The Enigmatic Model Who Chose Peace Over Fame
In the golden era of excess, where yacht parties stretched into the Mediterranean dawn and supermodels ruled the pages of Vogue, there was a woman who seemed to have it all—yet quietly walked away from almost all of it. Susanne Gregard is not a household name in the way that Cindy Crawford or Naomi Campbell are, but for those who followed the high-stakes world of 1980s fashion and tabloid royalty, she remains a fascinating, elusive figure. Most people remember her only as the first wife of Dodi Al-Fayed, the Egyptian film producer who later died alongside Princess Diana. But to reduce Susanne Gregard to a single chapter in someone else’s story is to miss the point entirely. She was a working model, an aspiring actress, and later a dedicated mother and artist. More than that, however, she was a woman who understood something that many celebrities never learn: that privacy is priceless, and that the loudest life is not always the most meaningful.
Below is a quick look at the essential facts of her life and career.
| Quick Facts | |
|---|---|
| Full Name | Susanne Gregard |
| Age | 67 (born 1957) |
| Profession | Former Model, Actress, Media Artist, Photographer |
| Parents | Palle Gregard (father) |
| Siblings | One sibling (details private) |
| Birthplace | Alexandria, Egypt |
| Nationality | American / Egyptian |
| Famous For | First wife of Dodi Al-Fayed; 1980s fashion model |
| Spouse | Dodi Al-Fayed (m. 1986–1987), Dr. Philippe Quilici (m. 1992–present) |
| Children | Maximillian P. Quilici, Henry J. Quilici |
| Net Worth | Estimated $5 million |
| Social Media | Private / No public-facing handles |
A Childhood Between Worlds
Susanne Gregard was born in 1957 in Alexandria, Egypt, a city once known as the Pearl of the Mediterranean. Alexandria in the mid-twentieth century was a place of faded grandeur—old colonial mansions, bustling souks, and a sea breeze that carried the scent of history. It was also a city of many cultures: Greek, Italian, Armenian, and Egyptian all lived side by side. Into this environment came Susanne’s father, Palle Gregard, a man of Danish or European background. That Scandinavian heritage gave Susanne a striking, unusual look that would later turn heads in Paris and New York.
Growing up in Alexandria meant being surrounded by contrasts: the ancient and the modern, the wealthy and the working class, the Muslim call to prayer and the Christian church bells. This cultural complexity shaped Susanne’s worldview from an early age. She learned to move between different social circles with ease, a skill that would serve her well in the fashion industry. Despite being born in Egypt, she eventually came to hold American nationality, reflecting a life of constant movement and reinvention.
Details about her mother and siblings remain largely private, which is entirely by design. Susanne has never been the type to air family history in public. What is clear is that her upbringing was comfortable enough to allow her to dream of a life beyond Alexandria. The Mediterranean sun, the old libraries, and the slow rhythm of Egyptian coastal life gave her a sense of timelessness that stood in stark contrast to the frantic energy of 1980s New York. That grounding would prove essential when the madness of fame came knocking.
The Rise of a High-Fashion Model
The late 1970s and early 1980s marked a turning point in the fashion world. It was the era before the internet, before instant celebrities, when models were mysterious creatures seen only in glossy magazines and perfume commercials. Susanne Gregard arrived in New York with the kind of face that photographers loved: high cheekbones, expressive eyes, and an elegance that felt European but warm enough for American audiences.
She began booking editorial work almost immediately. Soon, her face appeared on the covers of Vogue, Cosmopolitan, and Harper’s Bazaar—the holy trinity of fashion publishing at the time. These were not just random photoshoots; they were carefully curated stories that turned clothing into art. Susanne worked with legendary photographers who understood the power of light and shadow. She was not merely a clothes hanger; she was a storyteller in silk and pearls.
Her success in high fashion editorial opened doors to commercial work as well. She became a sought-after face for beauty campaigns and luxury brands, modeling everything from evening gowns to fine jewelry. In an industry known for chewing up young women and spitting them out, Susanne managed to build a respectable, steady career. She was professional, reliable, and talented—qualities that kept the bookings coming long after the initial buzz of a new face had faded.
Unlike many models who relied solely on their looks, Susanne had a quiet intelligence about her. She understood that the camera was a tool, not a mirror. She never seemed desperate for approval, which made her even more magnetic. That same self-possession would later allow her to walk away from fame entirely, something few in her position have ever done.
Stepping Into Acting and Television
Not content to remain a still image, Susanne Gregard set her sights on motion pictures and television. In 1985, she landed a role in the romantic comedy Key Exchange, a film about young professionals navigating love and relationships in New York City. While her part was small, it was a deliberate first step into a new medium. Acting required a different kind of vulnerability. As a model, she was silent and observed; as an actress, she had to speak, move, and react.
She also appeared on Star Search, the popular talent competition that served as a launching pad for many entertainers in the 1980s. Star Search was appointment television, watched by millions of families across America. Stepping onto that stage took courage. It meant being judged not by a single photographer but by a live audience and a panel of critics. Her willingness to take that risk says a great deal about her ambition.
Unfortunately, a major acting career never fully materialized. The film industry in the 1980s was notoriously difficult for models trying to transition into serious acting. Susanne found steady work but not stardom. Still, those years behind the camera and on stage shaped her artistic sensibility. She learned how to tell stories visually, a skill she would later carry into her work as a photographer and media artist.
The Whirlwind Romance with Dodi Al-Fayed
It was in the mid-1980s that Susanne Gregard’s life took a sharp turn toward the tabloids. She met Dodi Al-Fayed, the playboy son of Mohamed Al-Fayed, the controversial billionaire who owned Harrods department store and the Ritz Paris. Dodi was jet-setting, charming, and relentless in his pursuit of beautiful women. Susanne, however, was not easily impressed.
When Dodi invited her to spend two weeks with him in England, she said no. So he did something that revealed both his wealth and his determination: he booked her as a model for a promotional job at Harrods. That way, she had to come to London for work. Once she was there, the romance began in earnest. He flew her around on the Concorde, the supersonic jet that was the ultimate status symbol of the era. He showered her with gifts and attention. Eventually, on New Year’s Eve in 1986, he proposed.
They married in a quiet civil ceremony shortly afterward. To the outside world, it looked like a fairy tale: a beautiful model marrying the son of a billionaire. But behind the velvet ropes, the reality was different. In a rare interview with People magazine, Susanne later opened up about the strangeness of her brief marriage. She described feeling trapped by bodyguards and security details. She recalled a telling moment when she was sick and asked Dodi to go to the grocery store to buy her medicine and food. He returned grinning from ear to ear. At thirty-one years old, it was the first time he had ever stepped inside a grocery store.
They came from different worlds. She had worked for her living; he had never needed to. The marriage lasted only eight months. They divorced amicably in August 1987, with no children and no bitter public feud. For most people, that would have been the end of the story. For Susanne, it was the beginning of something far better.
A Second Act Rooted in Love
After her divorce from Dodi Al-Fayed, Susanne Gregard could have cashed in on the name recognition. She could have written a memoir, sold interview after interview, or leveraged her connection to the Al-Fayed family for business opportunities. She did none of those things. Instead, she quietly retreated from the spotlight and rebuilt her life from the ground up.
In 1992, she married Dr. Philippe Quilici, a highly respected cardiac surgeon based in Los Angeles. Dr. Quilici, sometimes known as “The Vegan Heart Doctor,” is known for his work in preventative medicine and minimally invasive heart surgery. He is steady, grounded, and brilliant in his field. The contrast between Dodi and Philippe could not be more stark. Susanne traded the chaos of a playboy prince for the calm competence of a healer.
Together, they built a quiet, stable family life. They have two sons: Maximillian P. Quilici and Henry J. Quilici. Both boys have grown into creative adults, with Maximillian pursuing music and Henry working in filmmaking. The family lives in the hills of Los Angeles, far from the paparazzi haunts of Beverly Hills. Neighbors might not even know that the woman down the street once graced the cover of Vogue and was married to one of the most famous men of the 1980s.
This second marriage is the real love story of Susanne Gregard’s life. It is not flashy or tabloid-worthy. It is simply real. And that is precisely why she has guarded it so fiercely from public view.
The Artist Behind the Lens
In recent years, Susanne Gregard has quietly reinvented herself as a media artist and photographer. Moving from being the subject of the camera to the person behind it is a profound transition. For decades, she had been looked at, judged, and framed by others. Now, she does the framing.
Her photography work reflects a deep appreciation for light, texture, and human emotion—skills honed during her years as a model. She understands how to make a subject feel comfortable, how to find the exact angle that tells a true story without cruelty. Her artistic output has been shared mostly in private circles and select exhibitions, but it represents a vital part of her identity.
In a way, picking up the camera was an act of reclaiming her own narrative. No longer would she be the silent subject of someone else’s vision. Now, she speaks through her own images. Whether she ever seeks wider recognition for her art remains to be seen. But art, for Susanne, has never been about applause. It is about expression.
Net Worth, Lifestyle, and Financial Independence
Estimates place Susanne Gregard’s net worth at approximately $5 million. This is not billionaire territory, but it is a solid, comfortable sum that reflects a life lived intelligently. Her wealth comes from several sources: her earnings as a top fashion model in the 1980s, her divorce settlement from Dodi Al-Fayed, and her marriage to Dr. Philippe Quilici, who has a successful medical practice.
What is most notable about her financial situation is the absence of desperation. She has never been spotted at discount store openings or shilling dubious products on Instagram. She lives within her means, which are considerable but not extravagant. The family home in Los Angeles is lovely but not a palace. She drives nice cars, not hypercars. Her luxury is privacy, not gold faucets.
Dr. Quilici’s income from cardiac surgery provides a stable foundation, allowing Susanne to pursue her art without financial pressure. Together, they have built a life that prioritizes health, creativity, and family over the trappings of old money or new fame.
A Life Beyond Social Media
In an era where seven-year-olds have TikTok accounts and eighty-year-olds post brunch photos on Instagram, Susanne Gregard is almost entirely offline. She has no verified public social media handles. If she has a private account, it is for close friends and family only. She does not engage with the influencer economy, does not promote products, and does not seek validation through likes.
This absence from digital life is unusual enough to be notable. Most people with her level of fame—even minor fame—feel compelled to stay visible. They worry about being forgotten. Susanne does not appear to share that fear. She has made peace with obscurity. In fact, she seems to prefer it.
Her children, now adults, manage their own public profiles. Maximillian shares his music online. Henry builds his film career. But their mother watches from the sidelines, proud but not pushy. She has given them the greatest gift a parent can offer: a normal childhood, free from the burden of her past.
Recent Updates and Future Horizons
As of the last several years, Susanne Gregard continues to live quietly in the United States with her husband. The couple has been married for over three decades—a rare achievement in Hollywood’s orbit. Their sons are grown and pursuing their own creative paths. There is no drama, no scandal, no leaked tapes. There is only the gentle rhythm of a family that has chosen each other every single day.
What are her future goals? If past behavior is any guide, they will not be announced on a podcast or in a press release. She may continue to create art. She may simply enjoy being a grandmother someday. She may travel or garden or read novels by the pool. The beauty of her life now is that she owes no explanation to anyone.
The Quiet Legacy of Grace and Discretion
Looking across the arc of Susanne Gregard’s life, one quality stands out above all others: intentionality. She did not stumble into fame, nor did she cling to it when it faded. She used it when it served her, and she released it when it no longer did. She married a billionaire’s son, realized it was not for her, and left without bitterness. She found a good man, built a good home, and raised good children. She transformed from a model into an artist, from a tabloid curiosity into a private citizen of consequence.
Her story teaches us that success is not always about accumulating more. Sometimes, it is about knowing when enough is enough. Susanne Gregard knew that the price of the spotlight was higher than she was willing to pay. So she walked away and built a life that was rich in exactly the ways that matter: love, creativity, and peace.
As Susanne Gregard continues to pave the way for future generations who may find themselves caught between public expectation and private happiness, her story stands as a reminder of how resilience and purpose can shape a meaningful legacy. She may never have a star on the Hollywood Walk of Fame. But for those who value grace over glamour, her life shines just as brightly.
